Tuesday, May 20, 2008

Is It Really Patti LuPone's Turn At This Years Tony Awards?

Tony nominations in 26 categories were announced last Tuesday, but among diva-worshipping Broadway fanatics, only one award sets off a great debate: Leading Actress in a Musical. Patti LuPone, in Gypsy, http://www.applause-tickets.com/gypsy.asp Kelli O’Hara, in South Pacific, http://www.applause-tickets.com/south-pacific.asp and Faith Prince, in A Catered Affair, http://www.applause-tickets.com/catered-affair.asp are all beloved musical-comedy actresses, and all three performances (and two of the three shows) drew enormous raves. (Most agree that the other two nominees, Kerry Butler, in the fluffy spoof Xanadu, http://www.applause-tickets.com/xanadu.asp and Jenna Russell, in Sunday in the Park With George, http://www.applause-tickets.com/sunday-in-the-park-with-george.asp turned in strong performances but don’t stand a chance.) Here is a look at the race after reading a lot of Tony gossip and where the voters might be leaning.

THE DIVA Patti LuPone
TONY READINESS Painfully ready. Hasn’t won since 1980 for Evita; was nominated in ’88 for Anything Goes and came close in ’06 for Sweeney Todd. “She’s the biggest Tony loser [of recent decades], so it’s her turn.”
SINGING As usual, a vocal tsunami, if occasionally lacking clarity. “Gypsy’s the hardest show [of the three] to sing because of those two monster numbers.” “She does ‘Rose’s Turn’ brilliantly—breaks up in the middle and has a fit.” “From a purely vocal point of view, it’s rough going” for her.
ACTING Overcame a slight shtickiness in last year’s Encores! run to slam-dunk a visceral, complex Mama Rose, a huge, Lear-like role. “We saw vulnerability and flaws and cracks in the armor.” “You know you’ll see her go insane, hit those notes.”
INDUSTRY GOODWILL Once flagging, now revived. “Sweeney Todd engendered a lot of goodwill; there she was, lugging that tuba around.” “The question is whether she’s annoyed enough people.” “This is probably her last big shot.”

THE DIVA Faith Prince
TONY READINESS Somewhat ready. Won in 1992 for her much-loved Adelaide in Guys and Dolls; nominated in ’01 for Bells Are Ringing. “We love that Faith Prince is back on Broadway.”
SINGING Fine, workmanlike performance of a quiet score. “She sings it nicely, but doesn’t have anything interesting to sing.” “She’ll say herself she doesn’t consider herself a real singer.” “Not particularly challenging compared to the competition.”
ACTING Unimpeachable, nuanced delivery of lead in glum anti-musical. “Very heartfelt, but perhaps the whole show is a little too sincere.” “When you’re sleeping, you can’t [judge] acting.”
INDUSTRY GOODWILL Strong despite a stint in L.A. “People love her, but you can’t transcend a show that most people think, ‘Why is this on Broadway?’ ” “That’s not fair, but that’s how it works.”

THE DIVA Kelli O’Hara
TONY READINESS Not urgently ready. No prior Tony, but nominated twice in recent years, for The Light in the Piazza and The Pajama Game. “I don’t think there’s a groundswell yet.” “She’s young—she’s not going anywhere.”
SINGING Lovely voice, in a role sung with some understatement and minimal brass. “The best vocal performance of the three—Kelli is a real singer.” “Pitch-perfect—I think she’s flawless.” “I thought she was boring. I don’t love her voice.”
ACTING Brought winning self-awareness to a dated role; perhaps a bit too low-key. “Delightful, but Nellie Forbush requires a lot less Sturm und Drang than Mama Rose.” “A little dull.” “There was no way that man would’ve fallen in love with her. Too chipper.”
INDUSTRY GOODWILL Very high; folks call her a hardworking, kind, brainy Broadway sweetheart. “There’s a new crop of blonde sopranos who all come from farms; she’s managed to rise above them.”
THE TAKE-HOME Whom They’d Vote For: Six of eight said Patti. (One said Kerry Butler: “She nailed the Olivia Newton-John accent, and she’s doing it on skates!” And one said Jenna Russell: “She makes you totally forget Bernadette Peters” in the role.)The Likely Winner: Every single respondent said LuPone’s going to win. “She got the New York Times on her side, and now it’s hers to lose.” “Not giving it to her—it’s a slap in her face. Every queen in the world will rise up and shout. Truly.”

Call an Applause Theatre Service, http://www.applause-tickets.com/ Sales Expert to reserve your tickets now to see these wonderful performances for yourself! 212-307-7050

Labels: , , ,

Bookmark and Share

Posted by Swanny @ 2:04 PM

Subscribe in a reader

Get our News Blog via Email
Enter your email address:

Delivered by FeedBurner


Previous Posts

Archives

May 2006
June 2006
October 2006
November 2006
February 2007
March 2007
April 2007
May 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009
October 2009
November 2009
December 2009
January 2010
February 2010
March 2010
April 2010
May 2010
June 2010
July 2010
August 2010
September 2010
October 2010
November 2010
December 2010
January 2011
February 2011
March 2011
April 2011
May 2011
June 2011
July 2011
August 2011
September 2011
October 2011
November 2011
December 2011
January 2012
February 2012
April 2012
May 2012

Powered by Blogger